About

My artistic practice is shaped by a deep fascination with Baroque and Renaissance influences, intertwined with a gothic twist which was inspirited when I first visited the Monastery of Batalha as a child. Artists like Caravaggio and Goya inspire my use of tenebrism and profound content presented with technical quality. My greatest influence, Paula Rego, resonates deeply with me for her fearless exploration of feminist and social-political narratives. Her work often confronts themes of uncomfortable truths regarding control, inequity, and the female experience which parallels my own interest in capturing the raw human condition through portraiture.

Born and raised in Hampshire, UK, with Portuguese and South African roots, my background has played a significant role in shaping my perspective. Growing up in a non-traditional household, I became aware of socio-economic structures early on, fueling my determination to challenge marginalisation through both my art and personal ethos. My work frequently touches on themes of identity, faith, and resilience—drawing from personal experiences and family heritage. I also reflect on my experiences with inherited medical difficulties, exploring themes of vulnerability, systemic barriers, and how interpersonal dynamics are affected.

Currently balancing a degree apprenticeship in engineering with my artistic career, I am focused on refining my skills and expanding my body of work. Previously, I have locally sold commissioned work as a means of practicing art entrepreneurship. This year, I am undertaking a self-directed residency in Portugal, immersing myself in the rural landscapes surrounding my maternal grandparent’s home. My long-term goal is to transition fully into the art world, using my practice as both a form of expression and a means to engage with humanitarian themes.